Got to love when a conversation had at a summer BBQ resurfaces in a morning art bulletin: After listening to a friend talk about her recent Dancers’ Workshop teaching residency and its pan-creative curriculum based on Alexander Calder’s approach to static and dynamic motion, I woke up to find an e-notice of the new “Calder in the Alps” sculpture exhibition in Gstaad, Switzerland. Art synchronicity.
The exhibition, staged by Hauser & Wirth in collaboration with the Calder Foundation, features (through September 30) five large-scale stabiles and one standing mobile, 3 White Arrows (1965), a gentle trident last installed outside the Seagram Building in New York—a setting more in keeping with Calder’s aims: “My mobiles and stabiles must be put in open spaces, like […] in front of modern buildings […] It must be designed as a real urban signal as well as sculpture.”
Gstaad provides a fresh context for Calder’s work; less urban signage, more bucolic jolts. “These works will surely surprise viewers as they harmonize in unpredictable ways with their surroundings,” said Calder Foundation President Alexander S.C. Rower. Add to the context a finned denim top—unpredictable perfection.