Bound for Milan next week, I’m mapping out what not-to-miss and found this: “Borderlife,” a new series of outdoor installations by artist Briancoshock, transforms abandoned manhole covers into miniature rooms throughout Milan. In spite of their charming presence, the rooms are designed to draw attention to the plight of the more than 600 people who live underground in the sewers of Bucharest.
Of the paradoxical project, Briancoshock writes:
If some problems cannot be avoided, make them comfortable.
A sobering counterpoint to cultural travel.