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Seismic wave

"Uplift" by Jarrod Beck in Sara D. Roosevelt Park on the Lower East Side of Manhattan paired with Acne Studios Galactic Oversized Turtleneck.

“Uplift” by Jarrod Beck in Sara D. Roosevelt Park on the Lower East Side of Manhattan paired with Acne Studios Galactic Oversized Turtleneck.

These tantalizing folds – tar black layers with scraggy edges – diverted me from my route yesterday along Second Avenue in the Lower East Side. Geologically graceful (like this Acne sweater), the humps are made of rubber conveyor belts once used to ferry ore from West Virginia mines, now repurposed by Brooklyn-based artist Jarrod Beck. Interested in both memorial and artifact, Beck offers the mounds as recently unearthed tectonic plates, an excavation evoked by the installation title, “Uplift.” Trained as an architect and printmaker, Beck collapses the former into concentrated forms and balloons the latter into broad strokes of sculpture. Talk about conveyance.

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Fine line

"A-void (yangmeizhu 2)," reMIX Studio's hutong light installation in Beijing paired with Kenzo Satin-Twill Mini.

“A-void (yangmeizhu 2),” reMIX Studio’s hutong light installation in Beijing paired with Kenzo Satin-Twill Mini.


 

 

 

 

 
 
 

A skeletal structure, veins aglow. A hutong bound for redevelopment becomes an opportunity for architectural invention in Beijing. Timed for Beijing Design Week 2014 (today’s its last day), reMIX Studio remade the traditional residence into a wireframe of angled levels and staircases. White rubber bands, illuminated by hidden UV lights, trace the architectural plans for the site. By positing delicacy amid darkness, “a-void (yangmeizhu 2)” creates an immersive duality between tradition and modernity (not unlike the prim sheen and shakey plaid of this Kenzo dress). As reMIX explains: “In the background, one can still see the textures of the existing walls, eroded by time and humidity, creating an interesting dialogue between the past and the future of the building.” A fine line, made striking.

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Night light

"Scattered Light" by Jim Campbell in Hong Kong paired with Wunderkind Multi Georgette Flared Skirt.

“Scattered Light” by Jim Campbell in Hong Kong paired with Wunderkind Multi Georgette Flared Skirt.

 
 

 
 

 
 

 

 
 

I would like to believe in magic right now, the magic of matches and fireflies. A stroll through Jim Campbell’s fleeting installation in Asia would stir such wonder: the American artist has suspended a grid of 2,000 LED bulbs over Edinburgh Place in Hong Kong. Luminous and immersive, “Scattered Light” invites passers-by to wend their way through the pointillist cloud, past shadowy forms cast by light pulses.

Having toured the world, “Scattered Light” stops in Hong Kong as part of Fleeting Light, the 4th Large-Scale Interactive Media Arts Exhibition, on view through October 12. Campbell’s three-part contribution also includes: “Light Matter,” a gallery show spanning three decades; and “Eternal Recurrence” on the façade of the International Commerce Center, a 118-story canvas on which Campbell created a light screen for towering swimmers to stroke up and back, their vertical laps without start or finish.

“I believe that the trajectory of technological media in our culture towards higher resolution and more dimensions does not always reveal or express more,” Campbell has said. “All of the excess ‘information’ that is given to us and that our minds have to analyze can mask some of the more subtle perceptual sensory processes. It has been scientifically shown in many different ways that we see and process a lot more of our surroundings than we are consciously aware of. It is these more primitive perceptual pathways that I am interested in walking.” Me too. And so I go walking.

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Palimpsest souls

"Unframed — Ellis Island" by JR at the former Ellis Island Immigrant Hospital in the Hudson River, NY paired with Laurence Dacade Pete Distressed Crackled Boot.

“Unframed — Ellis Island” by JR at the former Ellis Island Immigrant Hospital in the Hudson River, NY paired with Laurence Dacade Pete Distressed Crackled Boot.


 

 

 

 

 

 

 

 

A family gazes at the Statue of Liberty, a goal within grasp. Seven children, heads wrapped in cloth, arrive with scalp disease. A group of men receive “psychopathic” diagnoses. Deemed unfit for entry into the United States, these people – plus some 1.2 million more – were sent to the Ellis Island Immigrant Hospital for study, treatment and release into their new homeland. For a century, photographs documenting their journeys aged in an archive with countless others. Now, they reemerge as part of French artist JR’s latest installation, “Unframed – Ellis Island.”

Famous for his large-scale portraiture projects, JR finds himself indoors on Ellis Island, which makes this iteration of “Unframed” feel like his most intimate offering yet. After weeks of wandering through the decrepit compound, he has created nearly two dozen tableaus on flaking walls, broken tiles and cracked windows. Faces grace nearly every room, save for the morgue. “The idea is to respect the architecture,” JR told The New York Times. “I let the walls decide what part of the image should appear.”

The TED Prize-winning artist became obsessed with the abandoned landmark after reading photographer Stephen Wilke’s book, “Ellis Island: Ghosts of Freedom.” Once considered a paragon of public health, the hospital spanned 29 buildings and even employed female doctors. All told, about 1 percent of arrivals received treatment there. Closed to patients in the 1930s, the hospital became a Coast Guard outpost, then a military detention center before being wholly abandoned 60 years ago. “Today, some rooms look like beautiful industrial-age ruins, littered with leaves and shattered glass,” writes Melena Ryzik, “and others somehow remain pristine, with even decades-old light bulbs still hanging.”

Against this layered backdrop, life-size palimpsests now greet visitors on guided tours (tickets became available today for the 10-person tours starting October 1). “Unframed – Ellis Island,” sponsored in part by the nonprofit Save Ellis Island, will remain on view “until it decides to disappear.”

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Loch nest

The Owner's Suite at the new Drake Devonshire in Wellington, Ontario paired with Tsumori Chisato Jacquard Batwing Dress.

The Owner’s Suite at the new Drake Devonshire in Wellington, Ontario paired with Tsumori Chisato Jacquard Batwing Dress.


 

 

 

 

 

 

A Toronto stopover led to a love affair with the Drake, a hotel rich with personality in the artsy Queen West district. From afar, I continue to adore all things Drake, from its stellar concert roster and urban art focus to its do-no-wrong General Store.

And now this: the Drake Devonshire in Prince Edward County, hotelier Jeff Stober’s transformation of a 1800s foundry into a rustic-chic outpost on Lake Ontario, a 2.5 hour drive from Toronto. A hip hodgepodge of old and new, the 2-year project required restoring the original inn – a ramshackle heap upon purchase – and then weaving in modern additions like the new dining room, cantilevered over a creek and devoted to lake-to-table fare. Quintessential of the quirky vibe is the owner’s suite, a spacious studio tucked in an A-frame, colored by an eclectic mix of antique and vintage pieces, and a meticulous collection of original art.

Only six days into its extended preview, the Drake Devonshire officially opens next April, but I want to get in on the good times early with a harvest itinerary of wine tasting, fly fishing, leaf peeping and beachcombing. And lazing: I picture a perfect Sunday spent in the owner’s suite, starting with a cozy morning by the fireplace, followed by afternoon sunbathing on the private patio overlooking the lake, blanketed in this poncho dress, engrossed in shelter pubs. Yes please.

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Space kaleidoscope

"Double Space for BMW: Precision & Poetry in Motion" at the Victoria and Albert Museum in London paired with Christopher Kane One Shouldered Layered Organza Dress.

“Double Space for BMW: Precision & Poetry in Motion” at the Victoria and Albert Museum in London paired with Christopher Kane One Shouldered Layered Organza Dress.


 
 

 

 

 

 

 

 

 

 

Mind-bending is one thing. Space-bending is quite another. A new immersive, kinetic installation achieves both at the Victoria and Albert Museum in London. Multi-disciplinary designers Edward Barber and Jay Osgerby devised a pair of revolving, reflective sculptures suspended in the center of the Raphael Gallery. “Precision & Poetry in Motion” plays with perception and movement: the floor backflips into the ceiling, and walls dance with distortion – a warping of form mirrored in the organza layers of this dress designed by Scotsman Christopher Kane (still kin).

This V&A display will outlive its opening for the London Design Festival, a nine-day celebration of contemporary design that closes Sunday, by running through October. Plenty of time to hop the pond.

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Lowe and behold

Sam Durant’s 2003 installation, “We Are the People,” at Project Row Houses in Houston, TX (Photo by Rick Lowe) paired with Marc by Marc Jacobs Junko Dress.

Sam Durant’s 2003 installation, “We Are the People,” at Project Row Houses in Houston, TX (Photo by Rick Lowe) paired with Marc by Marc Jacobs Junko Dress.

 
 
 
 
 
 

 

 

 
 

 
It all began with a plucky high school student and his assessment that Rick Lowe’s portfolio of political art failed to address social need. “People need solutions,” the student said. “If you are an artist and you are creative, why can’t you create a solution?”

Lowe rose to the student’s challenge and his “solution” won him a 2014 MacArthur Fellowship, announced yesterday. Twenty years ago, Lowe rallied a group of fellow artists and bought two blocks of derelict, 1930s shotgun houses in Houston’s Northern Third Ward, one of the city’s oldest African-American neighborhoods.

“We weren’t trying to do something to serve the arts community;” Lowe said in a 2013 Creative Time report. “We were trying to figure out how the arts community could serve this community.”

Working on instinct, Lowe listened and observed, letting the content of his work come from the community. Two decades on and Project Row Houses remains a beacon of empowerment by providing venues for people to safely create, learn and live. The project now stretches across six blocks encompassing exhibition and residency spaces for artists, offices, a community gallery, a park, low-income residential and commercial spaces, and transitional housing for young single mothers, and has seeded similar arts-driven, Lowe-led redevelopment in Los Angeles, New Orleans and North Dallas.

We are the people. The people are the place. The place is the art. This is a creative revolution (and its uniform).

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Highbrau

An open air stage designed by Martin and Werner Feiersinger in Austria A.L.C. Jones Pant.

An open air stage designed by Martin and Werner Feiersinger in Austria paired with A.L.C. Jones Pant.

A polyhedron placed on a plateau has become a creative portal in Austria. Perched above the village of Koenigsbrunn, some 35 miles northwest of Vienna, this objet d’art is a stage for the all stripes of artistic expression – performances, concerts, readings. Designed by the Feiersinger brothers – architect Martin and artist Werner – the bandstand frames views of the Danube basin and the vineyards lacing the valley, a structure as optimistic as these white pants (can you tell I’m clinging to summer?)

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They might be giants

A Giants installation by Os Gêmeos on Granville Island for the Vancouver Biennale paired with Suno Printed Faille Shorts.

A Giants installation by Os Gêmeos on Granville Island for the Vancouver Biennale paired with Suno Printed Faille Shorts.

Go big or go home only partially applies to Os Gêmeos. Because even at home in Brazil, nay especially in São Paulo, the trailblazing twins go gigantic in their art, literally: Gustavo and Otavio Pandolfo have populated walls around the world with yellow-faced giants, a tribe topped so far by their largest installation yet, for the Vancouver Biennale. With the city awash in museum-caliber contemporary public art, the brothers transformed six 70-foot-tall industrial silos on Granville Island into genuflecting giants, jolly with details: retro patterns, stretched stitches, jaunty man-purses (If I were charged with styling the Giants, I would have put them in spunky shorts like these to save them from knee patches).

What could have constituted a million-dollar installation, requiring a full month of the twins’ time, is instead a publicly-funded, nonprofit project. To recoup their hard costs of $125,000, Os Gêmeos turned to Indiegogo. Donations are still being accepted (through September 21); thank-you perks include “good karma” for $5 CAD (“Congratulations, you can now add ‘Patron of the Arts’ to your LinkedIn profile and have eternal bragging rights with your friends by sponsoring 2.5 square feet of the mural”) to a limited-edition poster ($185 CAD) – printed merch the brothers have never before sanctioned.

“Every city needs art,” the twins say on their fundraising page, “and art has to be in the middle of the people.” Towering above the bustle, eccentric sentinels.

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Fountain bed

Hotel Manta by Tatzu Nishi in Helsinki, Finland paired with Opening Ceremony Fingerprint Crepe Cascade Top in Marble Green Multi.

Hotel Manta by Tatzu Nishi in Helsinki, Finland paired with Opening Ceremony Fingerprint Crepe Cascade Top in Marble Green Multi.


 
 
 

 

 

 

 

 

 

A ménage à trois, by design. Channeling the spontaneity of a prank, Japanese artist Tatzu Nishi plunks hotel rooms atop public art and architecture, remaking city landmarks like the waterfront Market Square in Helsinki, Finland. Until October 12, his Hotel Manta welcomes daytime visitors and nighttime guests into a suite encircling Havis Amanda (or Manta), a bronze nude made by Finnish sculptor Ville Vallgren in 1906. A marble mermaid, Havis Amanda stands on seaweed with four fish spouting water at her feet and a quartet of sea lions panting at her person. Intended to symbolize the rebirth of Helsinki, the coy sculpture initially sparked criticism, particularly among woman, for its seductive nakedness and sexual objectification (universal suffrage was introduced the same year in Finland). With time, Havis Amanda has become a beloved hub for celebrations, peaking with springtime Vappu parties.

Now, Havis Amanda is playing hostess. Instead of boxing her in, Nishi’s installation adds to her allure: the bronze bisects a double bed, her feet at eye-level with sleeping guests. Modern trappings and toile wallpaper complement her classical curves (as does this marbleized top, its fingerprint pattern evoking the artist’s hand). The granite fountain gurgles below, while the city swirls outside. A sound night’s sleep is not guaranteed in the room rate.