comment 0

Coming up roses

A new rose mosaic by Jim Bachor at 100 block of North Sangamon in Chicago (c/o Collosal) paired with Tammy Tiranasar Jewelry Macramé Silk Necklace (c/o Cool Hunting).

A new rose mosaic by Jim Bachor at 100 block of North Sangamon in Chicago (c/o Collosal) paired with Tammy Tiranasar Jewelry Macramé Silk Necklace (c/o Cool Hunting).


 

 

 

 

 

 

 

 

A pair of meticulous moments. This fall, Jim Bachor has filled four Chicago potholes with flower mosaics ahead of his show next month at Packer Schopf Gallery. While studying art at Columbia University, Tammy Tiranasar stumbled upon a vintage 70s craft book and began making organic macramé necklaces akin to delicate drawings or even intricate mosaics like Bachor’s. Both artists send elaborate surprises out into the world. And perhaps ephemeral: the mosaics may not survive the scraping of winter. So scout them now.

comment 0

Belonging longing

Tavares Strachan's "You Belong Here" is sailing down the Mississippi as part of New Orleans' Prospect.3 biennial paired with Antonio Berardi Pleated Mini Dress.

Tavares Strachan’s “You Belong Here” is sailing down the Mississippi as part of New Orleans’ Prospect.3 biennial paired with Antonio Berardi Pleated Mini Dress.

 

 

 

 

 

Nocturne, part two: a week ago, Prospect.3, the third iteration of New Orleans’ ambitious biennial, began its blazing run through January 25. Recruit Franklin Sirmans, contemporary art curator at LACMA, came up with this turn’s concept, Notes for Now, a vision “as grand, deep and complex as the Big Easy itself,” wrote Julie Baumgardner of the New York Times’ T Magazine.

To frame the citywide exploration, Sirmans turned to the poetic existentialism of Walker Percy in “The Moviegoer,” a 1961 novel about a young stockbroker in postwar New Orleans. On the eve of his 30th birthday at Mardi Gras, Binx Bolling breaks from the humdrum by diving into a search for inner self, a journey that finds him philosophizing through the French Quarter, Chicago and the Gulf Coast.

“What is the nature of the search? you ask,” Bolling asks. “Really it is very simple, at least for a fellow like me; so simple that it is easily overlooked. The search is what anyone would undertake if he were not sunk in the everydayness of his own life. This morning, for example, I felt as if I had come to myself on a strange island. And what does such a cast away do? Why he pokes around the neighborhood and he doesn’t miss a trick. To become aware of the search is to be onto something. Not to be onto something is to be in despair.”

Sirmans picks up were Percy left off, “trying to understand ourselves through each other.” Moving away from the post-Katrina perception of the city, he engaged a diverse cast of creative visionaries like Theaster Gates and Andrea Fraser, all of whom explore distinct points of inquiry through 58 installations in 18 venues.

Bahamian artist Tavares Strachan considers notions of settlement and dislocation with three simple words, “You belong here,” emblazoned in pulsating neon lights on a river marge floating on the Mississippi. Dualistic, the installation can be read as an affirmation or a veiled question. See its swansong sail tonight from 6:30 to 10 p.m.

“Nowadays when a person lives somewhere, in a neighborhood, the place is not certified for him,” Percy’s Bolling says. “More than likely he will live there sadly and the emptiness which is inside him will expand until it evacuates the entire neighborhood. But if he sees a movie which shows his very neighborhood, it becomes possible for him to live, for a time at least, as a person who is Somewhere and not Anywhere.”

The day I feel as though I belong Somewhere, I will throw a party and put on this party dress. Until then, inspired by Strachan, I’ll keep questioning.

comment 0

Upstate inferno

The Great Jack O'Lantern Blaze at Van Cortlandt Manor in Croton-on-Hudson, NY paired with Eugenia Kim Felix Wool Beanie.

The Great Jack O’Lantern Blaze at Van Cortlandt Manor in Croton-on-Hudson, NY paired with Eugenia Kim Felix Wool Beanie.

Strength in numbers: Artists carved more than 5,000 jack o’lanterns to create the fiery wonderland that is the Great Jack O’Lantern Blaze at Van Cortlandt Manor in the Hudson Valley. From a creepy covered bridge to a pumpkin-populated Jurassic Park, visitors can bask in the glow of all things gourd. Though there’s no need to rush: the Blaze burns through November 16, and this Eugenia Kim kitty hat will keep its cute all winter long.

comment 0

Fortune favors

Fortune Finds Pop-Up Shop at 217 Centre Street in SoHo, NYC (Design*Sponge) paired with Lizzie Fortunato Objet d'Art Necklace.

Fortune Finds Pop-Up Shop at 217 Centre Street in SoHo, NYC (Design*Sponge) paired with Lizzie Fortunato Objet d’Art Necklace.


 

 

 

 

 

 

 

 

 

Please may this be my room, filled with objets d’art I’ve found traipsing around the world? Twins Elizabeth and Kathryn Fortunato, the masterminds behind luxe accessories line Lizzie Fortunato, travel often, collecting as they go. Drawn to pieces that have history, pieces that feel “special, handmade, and discovered,” the twins decided to share their travel trove through Fortune Finds, a closing-today pop-up shop in SoHo (stop reading and go). Fortunately for country mouses like me, their online storefront will remain open for the duration and be restocked with stamps in their passports. “The more and more we collected,” Lizzie told Vogue.com, “The more we thought, hey, this can be something bigger than souvenirs for ourselves.” Kindred spirits in hoarding! Perhaps this room could be mine after all, especially considering the sisters are bound for Vietnam and Southeast Asia. Be still my heart.

comment 0

Bright idea

Didier Faustino's explosive entrance to his installation at the Villa Bloc in Paris (designboom) paired with Rag & Bone Bowery Jacket.

Didier Faustino’s explosive entrance to his installation at the Villa Bloc in Paris (designboom) paired with Rag & Bone Bowery Jacket.

This is not a love song. This is not a romanticization, nor is it a celebration. This is, instead, a reenactment of sorts, a restaging of aesthetic ambiguity where one sculpture frames another. In the 1950s, French sculptor André Bloc designed a habitable brick sculpture, a cubist assemblage of angular trusses and domes. Gallerist Natalie Seroussi has lived in the villa for 26 years, and for the last six, she has invited an artist to interact with the landmark. This year, she recruited architect/artist Didier Faustino, who has come up with a three-part installation, starting with the exterior explosion, “This is Not a Love Song,” a title borrowed from post-punk band Public Image Limited, and then continues inside with a neon piece of disorienting arrows, “Nowhere Somewhere,” and “Trust Me,” a sound installation of whispering voices. Hesitation and doubt fill the vault.

Faustino sees his intervention as inhabiting the same “ambiguous terrain between architecture and sculpture” as Bloc’s trailblazing work. His sculptural portal serves as a way to simultaneously engage with and detach from Bloc’s building. It becomes an event in and of itself, while also presenting a preamble.

In “Trust Me,” the voices caution viewers not to trust the architects. Instead, immerse yourself in the jumble, of architecture and sculpture, exterior and interior, brick and brightness. Embrace binaries and color blocks (on moto jackets).

comment 0

Mission control

Eero Saarinen’s TWA Flight Center at JFK Airport in Queens, NY paired with Gucci Leather-Bib Cady Dress.

Eero Saarinen’s TWA Flight Center at JFK Airport in Queens, NY paired with Gucci Leather-Bib Cady Dress.

 

 

 

 

 

 

 

Elegant, expansive, sexy: Eero Saarinen’s TWA Flight Center symbolized mid-century modernism and all of its optimism. Every detail spoke to the stylish hope coursing through the futuristic hub, from the red carpet lining the gateways and the thin-shell roof evoking an unfurled bird to the soaring windows overlooking the tarmac, framing flights as they left and landed from JFK Airport.

The icon – wings clipped by JetBlue’s T5, core preserved on the National Register of Historic Places – shuttered earlier this month, slated for resurrection as an airport hotel. So let’s raise a martini to this emblem of modernism (in a mod Gucci mini). Until we meet again.

comment 0

Throw stones

"Asleep in the Cyclone," a site-specific installation/functional hotel room at the 21c Museum Hotel in Louisville, KY paired with Roksanda Layne Patchwork Herringbone Dress.

“Asleep in the Cyclone,” a site-specific installation/functional hotel room at the 21c Museum Hotel in Louisville, KY paired with Roksanda Layne Patchwork Herringbone Dress.

 

 

 

 

 

Another room to envy, this time in Louisville, Kentucky. The 21c Museum Hotel, “born out of a desire to integrate contemporary art into everyday life,” invited New York-based artists Jonah Freeman and Justin Lowe to create an immersive art experience out of a 500 sq.ft. guest room. Their “Asleep in the Cyclone” concept drew inspiration from Drop City, the first rural hippie commune that cropped up in southern Colorado in 1965. Freeman and Lowe’s “architectural collage” comes replete with a geodesic-domed stained-glass ceiling à la dropping icon, American architect Buckminster Fuller. The pair curated everything within the room from the faux magazines and fringed bedcover to the cabinet of curiosities and fan of records.

Masters of “mind-bending verisimilitude,” the artists describe their practice as: “Drawing on a series of historical and fictional narratives, their large-scale spatial collages reimagine culture through subjects such as rogue science, psychedelic drugs, mega-conventions, utopian communes, and hypertrophic urbanism.”

In keeping with the Sixties vibe, I would don this woolen dress, a kindred collage of patterns and purpose.

comment 0

Everything but

Do Ho Suh's "348 West 22nd Street" at The Contemporary Austin in Austin, TX (Photo by Brian Fitzsimmons) paired with Preen Splash Sweatshirt.

Do Ho Suh’s “348 West 22nd Street” at The Contemporary Austin in Austin, TX (Photo by Brian Fitzsimmons) paired with Preen Splash Sweatshirt.


 

 

 

 

 

 

 

 

 

 

A chartreuse simulacrum of a bathroom. And a bedroom and a staircase. For years, Korean artist Do Ho Suh has been sculpting every aspect of his NYC apartment and studio (a former sailors’ dorm in Chelsea) – down to the electrical sockets – exhibiting the rooms in galleries around the world. For the first time ever, his home in toto is on exhibit at the Contemporary Austin in Texas, through January 11.

Suh achieves his diaphanous interiors by building each fixture with stainless steel tubes, then sheathing the skeletons in bright polyester fabric. His spaces oscillate between opacity and visibility, making transparency a lens through which visitors explore ideas of public and private spaces and selves.

“Absent didactic narrative but ripe with evocative content, Suh’s poetic works ask viewers to consider the definition of home:” writes Heather Pesanti, senior curator of the Austin show. “What it means, how it feels to have a home or be without, and the way in which we carry our past, present, and future dwellings around with us for the entirety of our lives.”

Or, as Wall Street Journal reporter Julie L. Belcove succinctly said a year ago, “In an age of exponentially increasing globalization, Suh’s consideration of what it means to belong strikes a nerve.”

Preoccupied with my own shape-shifting notion of home, I imagine wandering through this ghostly world wearing this splashy sweatshirt, in deference to the domestic lifeblood – water – that will never run through it.

For Suh, what’s missing is as important as what’s present. “It’s an existential question of what we believe in this world — there are a lot of holes, but we try to believe it’s whole, the way a lot of people see the house [sculpture] as an exact replica. There’s a lot of rupture and gap. The role of the artist is to see those ruptures.”

comment 0

Still singing

The view along the freshly minted Dylan Thomas Birthday Walk in Laugharne, Wales paired with MiH Jeans Striped Wool Poncho.

The view along the freshly minted Dylan Thomas Birthday Walk in Laugharne, Wales paired with MiH Jeans Striped Wool Poncho.


 

 

 

 

Dylan Thomas marked turning 30 with a walk up Sir John’s Hill, a slope overlooking Laugharne, Wales, a walk he remembered in words as “Poem in October.” Mortality writhes in his verse, turning with the trail, twisting with views of the estuary and its herons, the village castle and the boathouse where he would spend his final years.

My birthday began with the water –
Birds and the birds of the winged trees flying my name
Above the farms and the white horses
And I rose
In a rainy autumn
And walked abroad in shower of all my days

Bob Stevens, the dairy farmer who now owns the lyrical land, celebrates his birthday with the same stroll; every October 7, he climbs the hill with his children in tow, reciting the autumnal lines. After years of small-town wrangling, he now invites visitors to do the same along his just-opened Dylan Thomas Birthday Walk, a two-mile public tribute to the Welsh poet and his poetry. Perhaps I will celebrate my next thirtysomething year in this “sea wet” scene on the “hill’s shoulder,” shrouded in this woolen poncho.

O may my heart’s truth
Still be sung
In this high hill in a year’s turning.

comment 0

Time capsule

The Nakagin Capsule Tower by architect Kisho Kurokawa in Tokyo paired with Anndra Neen Caged Tube Choker.

The Nakagin Capsule Tower by architect Kisho Kurokawa in Tokyo paired with Anndra Neen Caged Tube Choker.

 

 

 

 

 

 

 

A building designed for disposal now faces its overdue demise, to the outrage of some occupants. In 1972, architect Kisho Kurokawa imagined a Tokyo apartment block as a kit of parts of sorts: each of the 140 units could be removed and replaced at will. Now, the Nakagin Capsule Tower stands as a relic to this architectural approach. “The zeitgeist of metabolism is frozen, literally encapsulated in this building,” said Christian Dimmer, professor of Urbanism at Tokyo University.

With asbestos insulation and tube TVs in the walls, the tower desperately needs TLC or, as some owners angle, demolition. Others have banded together to preserve the building by forming the Save Nakagin Capsule Tower Project. Any decision must be made by an 80 percent majority of capsule owners. “We’re trying to buy each capsule one by one,” said project founder Masato Abe. “Each room counts as one vote.”

Keen to see the space-age structure for myself, I want to book a night in one of the capsules, in the nick (or adorned neck) of time.